Social Relations as the Subject of the Artist’s Creativity

  • Asya A. Syrodeeva Institute of Philosophy of the Russian Academy of Sciences
Keywords: culture, creativity, everyday life, small history, interpretations, social integration, pluralism, historical contextuality, relativity

Abstract

A piece of art, being a reflection on what has been experienced as deeply meaningful, is in fact the Artist's appeal to his contemporaries and future generations. The author’s self-expression works to a greater or lesser extent to constitute social ties. The range of plots from everyday life, typical for Lazar Gadaev’s works and his artistic manner, is open to the interpretations of very different people, and thus indirectly contributes to public dialogue, social integration. A large-scale exchange of opinions and interpretations actualizes, among other subjects, the topic of contextuality, historical relativity of the views of specifi c social actors. The Artist’s honesty to himself serves as a clue to semantic landmarks, including cases when the theme of relativity is elevated to the status of a political argument in the public space.

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Author Biography

Asya A. Syrodeeva, Institute of Philosophy of the Russian Academy of Sciences

PhD in Philosophy, Senior Research Fellow at the Institute of Philosophy, Russian Academy of Sciences.

Published
2024-06-17
How to Cite
SyrodeevaA. A. (2024). Social Relations as the Subject of the Artist’s Creativity. Philosophical Letters. Russian and European Dialogue, 7(2), 127-133. Retrieved from https://phillet.hse.ru/article/view/21804
Section
The Meanings of the Work of Sculptor Lazar Gadaev