Fyodor Dostoevsky’s Homo Religiosus: Between Sacrum and Profanum, Russia and Europe

  • Marian Broda University of Lodz
Keywords: Fyodor Dostoevsky, homo religiosus, Russia, Europe, post-Kantian theo retical perspective, postulating status of the concept

Abstract

Europe has always remained one of the key points of reference in the process of world-view self-determination of Fyodor Dostoyevsky. Without taking into account the nature, meaning and evolution of its relationship to Europe, it becomes impossible to describe and explain the overall dynamics of Dostoyevsky’s thought and attitude, as well as his proposed historiosophical view of Russia’s history and the history of the world. All of them assumed a three-phase conceptualization of time, typical of religious thinking, including: 1. primary unity, 2. state of alienation and internal tearing, and 3. a repeat, mature unity. It is, therefore, necessary to consider the legitimacy of understanding and explaining Dostoyevsky’s intellectual identity and attitude in terms of homo religiosus. In order to fully recognize the structure and evolution of his thoughts, it is worth taking advantage of the cognitive opportunities offered by the post-Kantian theoretical perspective. In the proposed approach, avoiding the ontologisation of explanatory schemes, one can not only more adequately define the status of Russia and Europe in the Russian-general perspective fulfilment of the, but also to recognize the postulating de facto status of the Dostoyevsky concept, which is a kind of equivalent to the Kantian demands of practical reason.

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Author Biography

Marian Broda, University of Lodz

Dr hab., professor of Humanities. Faculty of International and Political Studies. University of Lodz, Poland.

Published
2021-03-20
How to Cite
BrodaM. (2021). Fyodor Dostoevsky’s Homo Religiosus: Between Sacrum and Profanum, Russia and Europe. Philosophical Letters. Russian and European Dialogue, 4(1), 26-56. https://doi.org/10.17323/2658-5413-2021-4-1-26-56
Section
To the 200th Anniversary of F.M. Dostoevsky